"Time may not be an entirely new subject for discussion. Admittedly for at least the last two decades, there has been a shift in the approach to architecture away from the notion of it as a timeless practice — the architectural ideal being the perfect, completed building captured at handover in all its shiny brilliance by photography entirely vacant of people. The work of Enric Miralles in the early 1990s, for instance, as described by Philip Speranza (pp 60–65), challenged existing conventions as he sought, through his buildings, to provide people with the experience of the passage of time..."
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